I prefer ASP much more for Cut-Out Animation than AFX. However I think the warp-tool could be handy if you need some small adjustments on a complex character, if you try to do some subtile squash and stretch or if a character moves really slow and drawing him on every frame would make it look to jittery.
ANIME STUDIO PRO TEXTURES SOFTWARE
TVPAint is a software for hand-drawn animation and I guess bone-systems and stuff like that wouldn't be an improvement. So I like the "feel" of the warp-tool a lot more, but not for the stuff you can do with the puppet tool or even the bones in Anime Studio Pro, that wouldn't be possible in TVPaint, because of the blurring you get with every transformation and I guess that's fine. I just started using it in combination with Duik. It always felt a bit stiff, cause if you move a point the others always staying in place (even if this gives a bit more control). But I will give it some more time later to explore its sense in an animation context.įirst I have to say I never felt comfortable with the puppet tool in After Effects. It is funny, but seems to be lightyears away from workflows like the puppet tool in AFX or the possibilities of the bones in ASP.
Schwarzgrau wrote: Animark wrote:I don't like the new warp-tool. But, in my opinion, it is on a very good way to be a cool feature. The idea of the library as a source is great and prevents from classical mistakes when manipulating the same picture again and again and wondering about loosing the quality. OK, after all: The warp tool is a nice feature. Would be a nice possibility to change the pictures while animationg some warps. Changing the source picture resets the warp tool. Specially for the Square Size and for the Rigidity would be any feedback very helpful to get an idea on what will happen, when using the warp. There seems to be no optical feedback for the settings of the warp tool. (There seems to be some more glitches with the optical feedback: After deleting the frame content, I had to deselect and reselect the warp tool, to not see deleted content.) It takes some irritating time (some seconds) after setting a picture for the warp tool to the moment, when I can see the image. Again, it seems very hard to control (I've found and tried to use the lock point feature). an ear) the nose walks back to it's original position. a nose of a face) and try to move the next part (e.g. I often had the case, that when have moved one part (e.g. The picture seems to break into different solid parts moving around.
ANIME STUDIO PRO TEXTURES FULL
managing the warping is more succesful, when using a full colored picture (full filled with pixel).
Setting a picture from the library as source is a very nice feature - would be very cool to have it also for the transform and the perspective tool I've taken a deeper look into the new Warp-Tool in combination with the library.
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